The Music Center's Dorothy Chandler Pavilion
The first and largest of the four Music Center venues, the Dorothy Chandler Pavilion (Pavilion) was originally called the Memorial Pavilion and was renamed the Dorothy Chandler Pavilion by the Los Angeles County Board of Supervisors in honor of Dorothy Buffum Chandler. The Pavilion has one of the largest stages in the United States and has been the site of unparalleled performances by remarkable music and dance luminaries and virtuosos. It served as home to LA Phil for decades and the site for more than 20 Academy Awards presentations (from 1969-1999). It is now home to LA Opera and Glorya Kaufman Presents Dance at The Music Center.
In conceptualizing the approach to the Pavilion, the architects and designers of Welton Becket & Associates were guided by the idea that the building must not show its back to any part of the city, and, hence, developed the concept of a pavilion. A massive, curved structure with stylized columns, a gently swooping flat roof and a glass façade, the Pavilion was designed to fulfill the functions of three major halls, including a symphony with the accordant acoustics; a grand opera, which requires a sizable stage and house; and a more intimate setting supported by an appropriate sound system or orchestra for light opera, ballet and similar presentations. Like the great music and performances, it would house, the Pavilion’s design reflects elegance and beauty while being contemporary and understated.
Measuring 330-feet long and 252-feet wide and featuring 92-foot high columns that rise from the Jerry Moss Plaza level, the Pavilion’s gracefully curving sides express the functional curve of the auditorium within. The exterior walls are built of charcoal black granite and dark glass, providing a strong contrast to the fluted quartz-chip concrete columns and the broad overhang.
Designer Tony Duquette and Becket’s interior designers applied Becket’s “total design” philosophy to create an atmosphere of grandeur for the Pavilion. Nothing escaped their attention. Hong Kong-based artisans wove special carpets; team members traveled to Bavaria to assure the precise cutting of the crystal that would be used in the building’s chandeliers; and Becket engaged the finest acousticians of the time.
The theatre lobby is an elegant two-story space that wraps around the east side of the building. The lobby is covered in honey-toned Mexican onyx. Crystal sconces and columns faced with hand-cut Byzantine-style mosaic tile from Venice, Italy, complement the onyx walls. There are more than one million mosaic tiles throughout the Pavilion along with 78 wall sconces and chandeliers, most composed of hand-cut Bavarian crystal.
The lobby features a 24-karat gold-leaf dome that was originally built solely for beauty. The design team soon discovered that sound reverberated underneath the dome, causing an echo and making conversation difficult. The leaf dome thus serves two objectives: It contributes an elegant design element to the space and also eliminates the crowding often found in theatre lobbies. The lobby features paintings and sculptures, including busts of LA Phil conductors Alfred Wallenstein and Otto Klemperer, created by Anna Mahler, daughter of composer Gustav Mahler.
The grand stairway from the lobby rises above a gold tiled reflection pool, which features sculptures by Enzo Plazzotta, including a male figure honoring Russian ballet star Rudolf Nureyev and a female figure entitled “Ballet Shoes.” The entire staircase is surrounded with mirrored walls, and stairs are carpeted in olive green and trimmed with white marble. The flooring in the foyer is surfaced with a pale terrazzo. The landing of the staircase on the way to the second level features George Kolbe’s piece, “Beethoven Genius.”
On the second floor of the Pavilion is the Eva & Marc Stern Grand Hall. The Hall extends along the north end of the building and features three-story-high ceilings. The walls are covered with honey-toned Mexican onyx, and the columns are faced with the same hand-cut Byzantine-style mosaic tile from Venice, Italy, as was used in the lobby. Overlooking the Grand Hall are the First and Second Terraces, which form curved galleries similar to balconies. The Terraces provide a spectacular view of three gracefully suspended crystal chandeliers. This floor also features a bronze bust of Mrs. Chandler, sculpted by Los Angeles Times editorial cartoonist and Pulitzer Prize winner Charles Conrad.
The Becket team devoted two years to the design and creation of the three crystal light fixtures that adorn the Hall. With 27,500 pieces of crystal that create cascades of crystal tiers, each chandelier features 3,500 12-inch colonial prisms that sparkle as they dangle from gold-leafed frames. Each fixture measures 17 feet high and 10 feet in diameter and weighs a ton and a half. The sheer scale and size of the chandeliers demanded they be assembled in the Hall itself.
On the east side of the Hall is the Oval Lounge, which was once called the Oval Room. The main refreshment area in the Pavilion, the Oval Lounge offers an atmosphere of quiet relaxation with walls paneled in black walnut, dark mirrors and a huge oval-shaped antique marble bar.
Above the bar is a shimmering sculpture by Portland, Oregon artist Thomas Hardy. The gold-leafed bronze sculpture, entitled “Sun Birds,” features more than 500 birds, which the artist describes as “an explosion of birds into the air.” Hardy wanted the sculpture to be a “jewel in a dark quiet space.” This effect is achieved by suspending the sculpture from a recessed dome that conceals the room’s main light source, providing a dramatic setting at night. The Lounge also features a bust of Giuseppe Verdi honoring the bicentenary of his birth. It was donated to LA Opera by the Consulate General of Italy-Los Angeles on the company’s opening of Verdi’s Falstaff in 2013.
Other artwork in the Lounge includes Sandi Fox’s “Signature Quilt,” saluting individuals who were instrumental in the early success of The Music Center. In addition to The Music Center logo, the quilt features representations of the original three theatres and the Hollywood Bowl, along with signatures by Yo Yo Ma, Gregory Peck and Natalie Wood. The Lounge is also home to an 18th century Chinese Coromandel screen; Frank Stella’s painting “Ossipee III”; Leonardo Nierman’s tapestry “Music!”; and Los Angeles artist Michael McMillan’s nine-foot-high sculpture “Bunker Hill”. McMillan’s work is an artistic representation of what the location for The Music Center looked like prior to its construction.
Becket employed an unconventional approach to the auditorium, creating a design that is nearly square in shape. The design allows for 90 percent of the audience to be seated within 105 feet of the stage, with the farthest seat located only 130 feet way from the stage. The auditorium seats approximately 3,200 guests and is arranged in four levels: Orchestra (1,442 seats), Founders Circle (471 seats), Loge (443 seats) and Balcony (lower with 350 seats and upper with 400 seats).
The Orchestra level offers continental seating—without center aisles and exits at the sides—to maximize seating. The last row of the Orchestra is only 98 feet from the stage. The three remaining levels rise above the Orchestra floor. The first row of the Founders Circle is only 80 feet back, the Loge is 85 feet back, and the Balcony is 91 feet from the curtain. The angle of vision to the stage is never more than 27 degrees down, including the last row of the Balcony’s second tier. Every seat has a completely clear view to the mid-point of the house curtain at the floor line.
Acoustically, Becket’s goal was to blend reverberance with clarity. A large gold-leaf fiberglass “acoustical cloud” can be moved forward or back and angled according to the needs of the production. The auditorium’s acoustics are also favorably impacted by a curved and sloping ceiling, balconies that are rounded and walls that lean inward as they rise to the ceiling.
The Pavilion stage is one of the largest and most flexible in the nation. At 60-feet wide, 30-feet high and up to 240-feet deep, it is as far from the front of the stage to the back of the stage as it is from the front of the stage to the back of the auditorium.
The stage has two curtains. The main stage curtain features Duquette’s sunburst design, the symbol of The Music Center, and is comprised of seven different materials in shades of gold and bronze. When Duquette was told his design was too difficult to make, he rented the Shrine Auditorium and hired his own seamstresses to create the 3,000-pound curtain that covers the stage.
The orchestra pit uses a mechanically operated floor in three parts, providing flexibility for any size orchestra and the needs of opera performances. In addition, the floor of the pit can be raised as high as the floor of the auditorium to increase the size of the stage. There are 10 dressing rooms on the stage and mezzanine levels and dressing rooms for 200 dancers and chorus members below the stage. The auditorium comprises only one-third of the entire building, with a music library, rehearsal halls and staff offices also housed there.
The floors inside the auditorium are covered in a red carpet on the Orchestra, Loge and Balcony levels with seats on these levels covered in red velour upholstery. The Founders level has a gold theme with gold velour upholstered seats and gold carpet. The walls of the Orchestra level feature wood paneling and four crystal sconces on each side.
The Pavilion’s Founders Room is an elegant lounge used by Founders members before performances and during intermissions. The two-story-high room features walls paneled with wood from the Australian Black Bean tree, which can grow to 100 feet high. The paneling was intricately designed to provide unity with the coffered ceiling trimmed with gold leaf. Floor-to-ceiling windows are spaced between the wall panels and reflected on the opposite wall with floor-to-ceiling mirrors. Dark green carpeting sets off the wood-paneled walls while harmonizing with the antique marble bar. The room features three elegant chandeliers that add a tone of gilded splendor. Two of the Venetian glass chandeliers are from the 1938 MGM musical, The Great Waltz, and the third was commissioned when the room was decorated.
The furnishings in the Founders Room include an 18th century French tapestry depicting an equestrian scene. The original sketch for the tapestry was created by Flemish painter Jacob Jordans. There are two 18th century Chinese red-lacquered chests and an 18th century Venetian secretary, a gift from the Elsie de Wolfe Foundation, which is made of walnut burl wood. Elsie de Wolfe was the first noted female interior designer and a mentor to Duquette. The Founders Room includes a portrait of Mrs. Chandler. The paintings in the room are on loan from LACMA (Los Angeles County Museum of Art).
Featured at the Dorothy Chandler Pavilion
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Wed Mar 20 7:30 PM
Sun Mar 24 2:00 PM
A TMC Arts Program: Glorya Kaufman Presents Dance at The Music Center Alvin Ailey American Dance Theater
Dorothy Chandler Pavilion
When Alvin Ailey and a small group of African American dancers took the stage on March 30, 1958, at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts, launch...Show More
When Alvin Ailey and a small group of African American dancers took the stage on March 30, 1958, at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts, launching a revolutionary company that transcends barriers and celebrates the African American cultural experience. For 65 years, Alvin Ailey American Dance Theater has showcased the work of diverse choreographers, amplifying a myriad of voices alongside Ailey’s own. Returning to The Music Center to launch a multi-year residency, America’s most popular modern dance company will expand on its choreographic tradition, adding new choreographers to the company’s repertory with world premieres and beloved classics that illustrate the breadth of Ailey’s rich catalog, including Alvin Ailey's signature work Revelations.
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Sat Apr 06 7:30 PM
Sat Apr 27 7:30 PM
LA Opera La Traviata
Dorothy Chandler Pavilion
Violetta Valéry is the queen of Parisian nightlife for now, but she knows that life in the fast lane can't last forever. The arrival of a fresh-faced suitor offers her an unexpected taste of true love, until society’s disapproval threatens to tear...Show More
Violetta Valéry is the queen of Parisian nightlife for now, but she knows that life in the fast lane can't last forever. The arrival of a fresh-faced suitor offers her an unexpected taste of true love, until society’s disapproval threatens to tear them apart.
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Sat Apr 20 7:30 PM
LA Opera Patti LuPone in Concert
Dorothy Chandler Pavilion
Spend an evening with a true Broadway legend, returning to LA Opera for a solo concert after unforgettable star turns in The Ghosts of Versailles and Rise and Fall of the City of Mahagonny. Taking us on an unforgettable musical journey, this Tony,...Show More
Spend an evening with a true Broadway legend, returning to LA Opera for a solo concert after unforgettable star turns in The Ghosts of Versailles and Rise and Fall of the City of Mahagonny. Taking us on an unforgettable musical journey, this Tony, Grammy and Olivier Award-winning icon commands a stage like no one else. In a remarkable career stretching back over 40 years, she's made history in beloved Broadway titles including Company, Evita, Sweeney Todd, Anything Goes and Gypsy. This will be a night of music you do not want to miss!
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Sat May 18 7:30 PM
Sat Jun 08 7:30 PM
LA Opera Turandot
Dorothy Chandler Pavilion
Captivated by a beauty who scorns love, a renegade prince enters an all but impossible contest, where the price of failure is death. But beyond the legendary riddles, he’ll find another challenge in melting Turandot’s stubborn heart.
Captivated by a beauty who scorns love, a renegade prince enters an all but impossible contest, where the price of failure is death. But beyond the legendary riddles, he’ll find another challenge in melting Turandot’s stubborn heart.
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Thu Jun 06 7:30 PM
LA Opera Fire and Blue Sky
Dorothy Chandler Pavilion
Tenor Russell Thomas, LA Opera's Artist in Residence, premieres a major new commission: a deeply personal, evening-length concert work created expressly for him by the Emmy Award-winning composer Joel Thompson with an original libretto by the cele...Show More
Tenor Russell Thomas, LA Opera's Artist in Residence, premieres a major new commission: a deeply personal, evening-length concert work created expressly for him by the Emmy Award-winning composer Joel Thompson with an original libretto by the celebrated poet Imani Tolliver.
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Sat Jun 15 7:30 PM
LA Opera Renée Fleming in Recital
Dorothy Chandler Pavilion
The iconic soprano closes out the season with an enchanting evening of arias and songs. This is your chance to savor the exquisite voice and peerless artistry of this longtime audience favorite, treasured for her unforgettable LA Opera appearances...Show More
The iconic soprano closes out the season with an enchanting evening of arias and songs. This is your chance to savor the exquisite voice and peerless artistry of this longtime audience favorite, treasured for her unforgettable LA Opera appearances in La Traviata, A Streetcar Named Desire and The Light in the Piazza, as well as numerous concerts and recitals.
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Fri Jun 21 7:30 PM
Sun Jun 23 2:00 PM
A TMC Arts Program: Glorya Kaufman Presents Dance at The Music Center The Joffrey Ballet's Anna Karenina
Dorothy Chandler Pavilion
One of the premier dance companies in the world today, The Joffrey Ballet boasts a reputation for boundary-breaking performances for more than 65 years. The company’s blockbuster, Anna Karenina, won the 2019 “Oscars of Dance” Benois de la...Show More
One of the premier dance companies in the world today, The Joffrey Ballet boasts a reputation for boundary-breaking performances for more than 65 years. The company’s blockbuster, Anna Karenina, won the 2019 “Oscars of Dance” Benois de la Danse International Prize for Best Choreography. Love is all-consuming for the beautiful but married Anna, who, in the pursuit of passion, finds herself caught in a life-changing affair with the dashing Count Vronsky. Set in late 19th-century Imperial Russia, this adaptation unravels the profound power, desire and possession that shapes Leo Tolstoy’s epic novel. A breathtaking cinematic production with stunning costume design and captivating choreography, this famed psychological drama—set to an original composition—makes its debut at The Music Center’s Dorothy Chandler Pavilion.
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Fri Jul 12 7:30 PM
Sun Jul 14 2:00 PM
A TMC Arts Program: Glorya Kaufman Presents Dance at The Music Center Ballet Hispánico's Doña Perón
Dorothy Chandler Pavilion
For 50 years, Ballet Hispánico has been the leading voice in intersecting artistic excellence and advocacy. The company is now the largest Latinx cultural organization in the United States and one of America’s cultural treasures. Described as a “m...Show More
For 50 years, Ballet Hispánico has been the leading voice in intersecting artistic excellence and advocacy. The company is now the largest Latinx cultural organization in the United States and one of America’s cultural treasures. Described as a “milestone” and “breakthrough” by The New York Times, Doña Perón is an explosive portrait of Eva “Evita” Perón, one of the most recognizable and controversial women in Argentinian history. The illegitimate daughter of a prosperous farmer, Evita concealed her shameful past as she rose in the ranks from dancehall performer to Argentina’s First Lady. Her work as an activist and advocate for Argentina’s women and working-class raised skepticism as she indulged in the opulence of a high-class life. Was she a voice for the people or a deceitful actress? Colombian- Belgian choreographer Annabelle Lopez Ochoa explores these diverging legacies and more in her evening-length work for Ballet Hispánico and reclaims the narrative of the iconic Latina figure.
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Tue Mar 05 12:00 PM
Sat May 04 12:00 PM
A TMC Arts Program: Digital Innovation Initiative The Music Center Presents Music off the Wall
Jerry Moss Plaza & Plaza Gallery
For the first time in its 60-year history, The Music Center transforms Jerry Moss Plaza into an interactive augmented reality gallery featuring 16 digital artworks, with accompanying music, brought to life through visitors’ smartphones. This free ...Show More
For the first time in its 60-year history, The Music Center transforms Jerry Moss Plaza into an interactive augmented reality gallery featuring 16 digital artworks, with accompanying music, brought to life through visitors’ smartphones. This free AR exhibit in the heart of DTLA showcases local and global artists and their captivating creations.
Show LessFree
Learn MoreFree
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Fri Mar 22 11:00 AM
Sun Mar 24 2:00 PM
LA Phil John Adams’ City Noir
Walt Disney Concert Hall
LA Phil Creative Chair John Adams leads the orchestra in Stravinsky’s colorful and Impressionistic Song of the Nightingale, which is set in the court of the Emperor of China. With influences ranging from Brahms and Mozart to ...Show More
LA Phil Creative Chair John Adams leads the orchestra in Stravinsky’s colorful and Impressionistic Song of the Nightingale, which is set in the court of the Emperor of China. With influences ranging from Brahms and Mozart to Sigur Rós and Radiohead, Timo Andres is a favorite young composer of Adams’ who conducts the world premiere of his concerto written for pianist Aaron Diehl. Adams closes the program with his City Noir, inspired by Los Angeles and classic films that the composer said is reminiscent of “a very crowded boulevard peopled with strange characters… who only come out very late on a very hot night.”
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Sat Mar 09 11:00 AM
Sat Mar 23 11:00 AM
LA Phil Swan Lake: Reimagined
Walt Disney Concert Hall
Experience how Tchaikovsky's timeless composition inspires a revamped story for a modern audience by featuring selected pieces from the classic suite and, of course, a dancing accompaniment.
These 45-minute interactive Los Angeles Philharmo...Show More
Experience how Tchaikovsky's timeless composition inspires a revamped story for a modern audience by featuring selected pieces from the classic suite and, of course, a dancing accompaniment.
These 45-minute interactive Los Angeles Philharmonic concerts introduce young audiences to symphonic music. Before each concert, families are invited to participate in hands-on arts workshops.
This concert is recommended for children ages 5 to 11.
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Fri Mar 22 11:00 AM
Sun Mar 24 2:00 PM
LA Phil John Adams’ City Noir
Walt Disney Concert Hall
LA Phil Creative Chair John Adams leads the orchestra in Stravinsky’s colorful and Impressionistic Song of the Nightingale, which is set in the court of the Emperor of China. With influences ranging from Brahms and Mozart to ...Show More
LA Phil Creative Chair John Adams leads the orchestra in Stravinsky’s colorful and Impressionistic Song of the Nightingale, which is set in the court of the Emperor of China. With influences ranging from Brahms and Mozart to Sigur Rós and Radiohead, Timo Andres is a favorite young composer of Adams’ who conducts the world premiere of his concerto written for pianist Aaron Diehl. Adams closes the program with his City Noir, inspired by Los Angeles and classic films that the composer said is reminiscent of “a very crowded boulevard peopled with strange characters… who only come out very late on a very hot night.”
Show Less -
Wed Mar 20 7:30 PM
Sun Mar 24 2:00 PM
A TMC Arts Program: Glorya Kaufman Presents Dance at The Music Center Alvin Ailey American Dance Theater
Dorothy Chandler Pavilion
When Alvin Ailey and a small group of African American dancers took the stage on March 30, 1958, at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts, launch...Show More
When Alvin Ailey and a small group of African American dancers took the stage on March 30, 1958, at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts, launching a revolutionary company that transcends barriers and celebrates the African American cultural experience. For 65 years, Alvin Ailey American Dance Theater has showcased the work of diverse choreographers, amplifying a myriad of voices alongside Ailey’s own. Returning to The Music Center to launch a multi-year residency, America’s most popular modern dance company will expand on its choreographic tradition, adding new choreographers to the company’s repertory with world premieres and beloved classics that illustrate the breadth of Ailey’s rich catalog, including Alvin Ailey's signature work Revelations.
Show Less -
Tue Mar 05 12:00 PM
Sat May 04 12:00 PM
A TMC Arts Program: Digital Innovation Initiative The Music Center Presents Music off the Wall
Jerry Moss Plaza & Plaza Gallery
For the first time in its 60-year history, The Music Center transforms Jerry Moss Plaza into an interactive augmented reality gallery featuring 16 digital artworks, with accompanying music, brought to life through visitors’ smartphones. This free ...Show More
For the first time in its 60-year history, The Music Center transforms Jerry Moss Plaza into an interactive augmented reality gallery featuring 16 digital artworks, with accompanying music, brought to life through visitors’ smartphones. This free AR exhibit in the heart of DTLA showcases local and global artists and their captivating creations.
Show LessFree
Learn MoreFree
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