Things Happening on The Music Center Campus Tickets & Free Events

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Lights, camera, action: An American officer in turn-of-the-century Japan wants a bride, and a greedy marriage broker obliges, assuring him that the union can be easily dissolved. The innocent Cio-Cio-San believes they’re in love, even as Lt. Pinkerton moves on. For three years, she fights off rising debts and new suitors, refusing to believe she’s been abandoned. But when their long-awaited reunion finally arrives, the lieutenant isn’t alone—and he isn’t here for her. End scene. 

Directed by the Goya Award-winning Mario Gas, this stunning Madame Butterfly gets a cinematic twist as all the action takes place on a 1930s film set. Korean soprano Karah Son reprises her signature role as Puccini’s tragic heroine trying to find her way in a world dominated by men. Tenor Jonathan Tetelman is the callous Pinkerton, with Hyona Kim as Suzuki, Cio-Cio-San’s devoted maid who sees right past his gentlemanly facade, and Michael Sumuel as Sharpless, the sympathetic American consul. James Conlon, "the most accomplished music director currently working on the podium of an American opera house" (Opera News), opens the season conducting Puccini's poignant and unforgettable score. 

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

The Los Angeles Master Chorale opens the 2024-2025 season with Sing Joyfully | 60th Anniversary Celebration Concert, which features a cappella pieces from the Renaissance to present day. The concert opens with William Byrd’s ebullient Sing Joyfully, and the Chorale will take Byrd at his word by joyfully singing choral showpieces by Anton Bruckner, Sergei Rachmaninoff and Juan Gutiérrez de Padilla. The second half of the program celebrates the 30th anniversary of Morten Lauridsen’s classic O Magnum Mysterium (written for the Chorale), along with glorious music of Elinor Remick Warren, Moses Hogan and Leonard Bernstein among many others.

Join us for The Music Center’s Black Bar Social, a series of free monthly speakeasy-style gatherings at The Music Center, where connections are crafted and conversations are cultivated.  Grab a drink at the iconic black bars and engage in thought-provoking discussions sparked by featured provocateurs—artists, tastemakers, and community partners who challenge perspectives and ignite creativity. Delve into innovations in science, technology, culture and societal movements, and help to shape ideas that resonate with an ever-evolving Los Angeles.

Focusing on the profound influence of Black women’s orchestral and operatic innovations, this full orchestra performance pays tribute to Black women composers in classical and opera music. The evening will showcase works by the renowned late composer and educator Julia Perry, alongside symphonic and orchestral works composed by Patrice Rushen and Solange Knowles. The evening will be conducted by Jerri Lynne Johnson, the founder and Artistic Director of the Black Pearl Chamber Orchestra, a professional ensemble in Philadelphia, and will feature soprano vocalist Zoie Reams.

Pianist and composer Jason Moran is a risk-taker and trendsetter for new directions in jazz. In his program James Reese Europe and the Harlem Hellfighters: From the Dancehall to the Battlefield, he reflects on the legacy of an often-forgotten hero of Black music: ragtime pioneer and World War I hero James Reese Europe. Europe and his military ensemble the Harlem Hellfighters popularized the new spirit of jazz in a war-torn French nation fascinated with Black culture. And that’s only the beginning of their story—their legacy has had an extraordinary impact on African American music over the past century of cultural and political change.

The Music Center’s programming arm TMC Arts, in partnership with The Chapter House, will create a space on two Saturdays in October for cultural affirmation and joy among the county’s Indigenous communities to foster greater awareness, respect and understanding of the ongoing cultural contributions of Indigenous people among Los Angeles County residents. These events are by and for Indigenous Peoples, and all are welcome to join!

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

The Los Angeles Master Chorale opens the 2024-2025 season with Sing Joyfully | 60th Anniversary Celebration Concert, which features a cappella pieces from the Renaissance to present day. The concert opens with William Byrd’s ebullient Sing Joyfully, and the Chorale will take Byrd at his word by joyfully singing choral showpieces by Anton Bruckner, Sergei Rachmaninoff and Juan Gutiérrez de Padilla. The second half of the program celebrates the 30th anniversary of Morten Lauridsen’s classic O Magnum Mysterium (written for the Chorale), along with glorious music of Elinor Remick Warren, Moses Hogan and Leonard Bernstein among many others.

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Celebrating the avant-garde pulse of funk, soul, and jazz music that challenges the boundaries of genre, this show immerses itself in the visions of artists who are both architects and alchemists of their sonic realms. With experimental performances by the visionary singer-songwriter Bilal, a reunion by the genre-defying electronic duo J*Davey, and the Dallas-bred luminary Liv.e, the evening unveils a mosaic of creative brilliance. These cutting-edge artists come together to present their innovative contributions, demonstrating their role in pushing music to expanded horizons.

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

The Music Center’s programming arm TMC Arts, in partnership with The Chapter House, will create a space on two Saturdays in October for cultural affirmation and joy among the county’s Indigenous communities to foster greater awareness, respect and understanding of the ongoing cultural contributions of Indigenous people among Los Angeles County residents. These events are by and for Indigenous Peoples, and all are welcome to join!

Lights, camera, action: An American officer in turn-of-the-century Japan wants a bride, and a greedy marriage broker obliges, assuring him that the union can be easily dissolved. The innocent Cio-Cio-San believes they’re in love, even as Lt. Pinkerton moves on. For three years, she fights off rising debts and new suitors, refusing to believe she’s been abandoned. But when their long-awaited reunion finally arrives, the lieutenant isn’t alone—and he isn’t here for her. End scene. 

Directed by the Goya Award-winning Mario Gas, this stunning Madame Butterfly gets a cinematic twist as all the action takes place on a 1930s film set. Korean soprano Karah Son reprises her signature role as Puccini’s tragic heroine trying to find her way in a world dominated by men. Tenor Jonathan Tetelman is the callous Pinkerton, with Hyona Kim as Suzuki, Cio-Cio-San’s devoted maid who sees right past his gentlemanly facade, and Michael Sumuel as Sharpless, the sympathetic American consul. James Conlon, "the most accomplished music director currently working on the podium of an American opera house" (Opera News), opens the season conducting Puccini's poignant and unforgettable score. 

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Honoring artists who channel their musical crafts into the realms of faith and profound spiritual experience, this program venerates artists who have reimagined Black devotion and praise through various expressions in spiritual music. Their work breathes new life into sacred traditions, blending contemporary elements with deep-rooted spirituality.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.