The Music Center's Walt Disney Concert Hall

For well over two hundred years, the “Eroica” Symphony has been celebrated as one Beethoven’s greatest works and one of the most revolutionary masterpieces in classical music. Esa-Pekka Salonen leads the LA Phil in this powerful piece of defiance, contrasting it with Debussy’s dreamy and fluid Prelude to the Afternoon of a Faun. Pekka Kuusisto, a fellow Finn and one of Salonen’s favorite collaborators, joins the orchestra for Bryce Dessner’s Violin Concerto, which Kuusisto describes as “super energetic, and athletic, active—but it’s the big changes of scenery that really make it magic.”

If there’s anything Patrice Rushen hasn’t done, it’s probably because she hasn’t had time. The singer, songwriter, composer, producer, music director—you get the idea—started scoring hits in the early 1980s and hasn’t stopped expanding since. A world-class jazz pianist, she ventured into to R&B early in her career, and the songs she wrote then still shake dance floors today: songs like "Remind Me" and the smash "Forget Me Nots." She maintained her roots in jazz and established herself as an in-demand arranger and performer. She was the first-ever woman to serve as music director for the Grammys, has received orchestral commissions from orchestras all over the world, and has played with everyone from Prince to Dianne Reeves to Boyz II Men. When she takes her seat at the piano on the Walt Disney Concert Hall stage, you may not know what will happen next, but you know it’ll be astounding.

The Los Angeles Master Chorale presents the highly anticipated U.S. premiere of Rufus Wainwright's Dream Requiem. Dream Requiem merges two long standing creative visions—Wainwright’s fascination with Byron's poem Darkness, depicting global upheaval after the 1815 Mount Tambora eruption, and his lifelong admiration for the great Requiems of Verdi, Berlioz and Britten. This powerful and evocative modern-day requiem, with sublime harmonies and emotive storytelling, is an opulent composition that seamlessly weaves together Wainwright’s distinctive musical voice with the timeless liturgy of the Latin Requiem Mass.

As a teenage aspiring composer with a modernist ear, Esa-Pekka Salonen idolized composer and conductor Pierre Boulez and has become one of the biggest champions of his music. Salonen writes, “It can be complex without ever losing its clarity, it can be aggressive or delicate, hypnotic or kaleidoscopically flickering, ritualistic or virtuosic. But most importantly, it is often hauntingly beautiful.”

Salonen contrasts Boulez’ serialist voice with fellow French composer Debussy’s impressionism—a pairing critic Mark Pullinger compared to “glaring sunburst [and] smudgy haze” or “Monet and Jackson Pollock.” Boulez’ solo piano Notations (each only 12 bars) flow into a version for orchestra that explodes the original musical idea with orchestral colors before being counterpointed by one of Debussy’s dreamy Images. Like Salonen, Boulez was a renowned conductor of Debussy’s music, and after intermission Salonen, leads two Debussy favorites: the Fantaisie with pianist Pierre-Laurent Aimard and the composer’s conversation between wind and wave, La mer.

Concerts in the Thursday 2 subscription series are generously supported by the Otis Booth Foundation.

One of the most influential composers of his generation, Max Richter stands as a pivotal figure on the contemporary music scene. His works cross boundaries and genres, encompassing solo artist albums, ballets, concert hall performances, cinema and television scores, video art installations, and theater works. He celebrates his 2004 album The Blue Notebooks and performs new works with his ensemble.

Experience big performances on a more intimate scale when musicians from the LA Phil perform chamber music in small ensembles. Come early and enjoy a complimentary glass of wine before the performance, starting at 6:30pm.

Renowned French conductor Ludovic Morlot leads music by Ravel and Granados that captures the spirit of Spanish dances. Seth Parker Woods, the cellist who is “quickly becoming a groundbreaking new-music star in both the avant-garde and pop worlds” (Los Angeles Times), joins the LA Phil for the world premiere of Julia Adolphe’s new concerto.

Angelenos are invited to experience outdoor movement, restoration and reinvigoration—in under an hour. This free series is set to redefine midday breaks. Every Wednesday and Friday, amid the lush greenery of the park, participants can immerse themselves in their yoga flow. In addition to the regular weekly yoga classes, everyone is encouraged to mark their calendars for every third or fourth Saturday for the park’s “Wild Card” series, adding excitement and variety to the Wellness Breaks. These sessions are located on the scenic performance lawn between Grand Ave and Hill St.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Through the centuries, concertos have been the platform for virtuosos to thrill audiences. In the first two installments of this series, Alan Chapman traced the development and structure of the concerto from its beginnings through the late 19th century. Now, he resumes this chronological journey with many musical examples and vibrant visuals. Whether you’re continuing the series or joining for the first time, all are welcome to come and learn!

Founded in 1975 by brothers Artistic Director Paulo Pederneiras and choreographer Rodrigo Pederneiras, the Brazilian dance company Grupo Corpo (meaning “Body Group” in Portuguese) is renowned for its unparalleled blend of popular Brazilian culture, African rhythms and classical technique. The program opens with Pederneiras' 1992 work 21, a ballet divided into three movements that weaves rhythmic and timbral combinations around the number 21. Audiences will be captivated by the musical score’s unique sounds, emanating from composer Marco Antonio Guimarães’ unusual instrumental creations. For Gira, Pederneiras immersed himself in the history and practices of Brazil’s Afro-Brazilian religions, particularly Umbanda, transforming the rituals into a universal expression of humanity and emphasizing the trance-like turning and movement that characterize these ceremonies. “It is the sheer physical virtuosity of the company that is so impressive—the sinuous, athletic bodies seemingly inexhaustible.” —The Guardian, London

Get ready for a day of fun, creativity and play at The Music Center’s Very Special Arts Festival Family Day! This free, one-day outdoor festival invites children of all abilities and their families to enjoy an exciting lineup of live performances, interactive art-making activities and a student art gallery, all in a vibrant, inclusive atmosphere. Join us on Jerry Moss Plaza at The Music Center for a memorable Saturday exploring the arts and celebrating the artist in all of us!

Let us know you're coming!

The Los Angeles Master Chorale presents the highly anticipated U.S. premiere of Rufus Wainwright's Dream Requiem. Dream Requiem merges two long standing creative visions—Wainwright’s fascination with Byron's poem Darkness, depicting global upheaval after the 1815 Mount Tambora eruption, and his lifelong admiration for the great Requiems of Verdi, Berlioz and Britten. This powerful and evocative modern-day requiem, with sublime harmonies and emotive storytelling, is an opulent composition that seamlessly weaves together Wainwright’s distinctive musical voice with the timeless liturgy of the Latin Requiem Mass.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

For well over two hundred years, the “Eroica” Symphony has been celebrated as one Beethoven’s greatest works and one of the most revolutionary masterpieces in classical music. Esa-Pekka Salonen leads the LA Phil in this powerful piece of defiance, contrasting it with Debussy’s dreamy and fluid Prelude to the Afternoon of a Faun. Pekka Kuusisto, a fellow Finn and one of Salonen’s favorite collaborators, joins the orchestra for Bryce Dessner’s Violin Concerto, which Kuusisto describes as “super energetic, and athletic, active—but it’s the big changes of scenery that really make it magic.”

Join us for Breakthru, a free daily movement and breathing-based microbreak on Jerry Moss Plaza at The Music Center. Every day at NOON and 6:00 p.m., Angelenos come together to move, breathe and reset—right in the heart of Downtown L.A.

Guided by a series of two-minute breathing and movement sequences, shift your mood by choosing joyful, energized, centered and confident. This ever-evolving, crowd-curated experience gives us all permission to pause, reflect and recharge.

For well over two hundred years, the “Eroica” Symphony has been celebrated as one Beethoven’s greatest works and one of the most revolutionary masterpieces in classical music. Esa-Pekka Salonen leads the LA Phil in this powerful piece of defiance, contrasting it with Debussy’s dreamy and fluid Prelude to the Afternoon of a Faun. Pekka Kuusisto, a fellow Finn and one of Salonen’s favorite collaborators, joins the orchestra for Bryce Dessner’s Violin Concerto, which Kuusisto describes as “super energetic, and athletic, active—but it’s the big changes of scenery that really make it magic.”

Margarita Xirgu has spent half her acting career in exile, mourning Federico García Lorca, the dear friend whom she couldn’t convince to flee Franco’s reign of terror. Lorca was once on the verge of writing his way into a new Golden Age in Spain. But dictators have no use for poets.

Resident Conductor Lina González-Granados leads this major company premiere. Grammy winner Osvaldo Golijov’s dramatic, flamenco-inspired score meets a poignant libretto by David Henry Hwang in what the LA Times calls “one of the most moving and meaningful operas of our time.” Ana María Martínez takes center stage as Lorca’s muse Margarita Xirgu, recounting the poet’s life and his last days in the Spanish Civil War. Daniela Mack steps into the role of Federico García Lorca, the man whose pen proved just as dangerous as any pistol.