Jerry Moss Plaza

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

The Music Center’s programming arm TMC Arts, in partnership with The Chapter House, will create a space on two Saturdays in October for cultural affirmation and joy among the county’s Indigenous communities to foster greater awareness, respect and understanding of the ongoing cultural contributions of Indigenous people among Los Angeles County residents. These events are by and for Indigenous Peoples, and all are welcome to join!

Grand Ave Arts: All Access is a free family-friendly day of arts experiences featuring tours, kids activities, exhibits, pop-up performances and more by Downtown L.A.'s world-class cultural organizations.

Step into the ultimate gaming event at Night Games, a weekend where the world of indie games takes center stage under the stars. Compete in action-packed multiplayer games, perfect your solo strategies, or simply enjoy the excitement as players go head-to-head. This one-of-a-kind experience brings gaming enthusiasts together for a celebration of creative gameplay and the innovative spirit of independent developers. Join us for an unforgettable night filled with immersive gaming, competition and discovery. 

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Lights, camera, action: An American officer in turn-of-the-century Japan wants a bride, and a greedy marriage broker obliges, assuring him that the union can be easily dissolved. The innocent Cio-Cio-San believes they’re in love, even as Lt. Pinkerton moves on. For three years, she fights off rising debts and new suitors, refusing to believe she’s been abandoned. But when their long-awaited reunion finally arrives, the lieutenant isn’t alone—and he isn’t here for her. End scene. 

Directed by the Goya Award-winning Mario Gas, this stunning Madame Butterfly gets a cinematic twist as all the action takes place on a 1930s film set. Korean soprano Karah Son reprises her signature role as Puccini’s tragic heroine trying to find her way in a world dominated by men. Tenor Jonathan Tetelman is the callous Pinkerton, with Hyona Kim as Suzuki, Cio-Cio-San’s devoted maid who sees right past his gentlemanly facade, and Michael Sumuel as Sharpless, the sympathetic American consul. James Conlon, "the most accomplished music director currently working on the podium of an American opera house" (Opera News), opens the season conducting Puccini's poignant and unforgettable score. 

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

The Los Angeles Master Chorale opens the 2024-2025 season with Sing Joyfully | 60th Anniversary Celebration Concert, which features a cappella pieces from the Renaissance to present day. The concert opens with William Byrd’s ebullient Sing Joyfully, and the Chorale will take Byrd at his word by joyfully singing choral showpieces by Anton Bruckner, Sergei Rachmaninoff and Juan Gutiérrez de Padilla. The second half of the program celebrates the 30th anniversary of Morten Lauridsen’s classic O Magnum Mysterium (written for the Chorale), along with glorious music of Elinor Remick Warren, Moses Hogan and Leonard Bernstein among many others.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Embark on an immersive journey into the evolving relationship between AI and human connection with A More Than Human Tongue with two groundbreaking experiences: One Who Looks at the Cup and Voice In My Head.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Slinging razor guitars, thundering drums, and an anti-hero named Johnny. Not the prelude of typical entries in the canon of musical theatre. But these elements herald a groundbreaking American musical all the same: with the burning passion of characters who yearn for something more, songs bursting with emotion, and a story that dares you to feel and celebrate and hope.

The music of Green Day and the lyrics of lead singer Billie Joe Armstrong captured the zeitgeist of a generation with its Grammy Award®-winning multi-platinum album. American Idiot puts those raw emotions front and center in a highly theatrical and thoroughly satisfying rock opera that burns up the stage.

Lights, camera, action: An American officer in turn-of-the-century Japan wants a bride, and a greedy marriage broker obliges, assuring him that the union can be easily dissolved. The innocent Cio-Cio-San believes they’re in love, even as Lt. Pinkerton moves on. For three years, she fights off rising debts and new suitors, refusing to believe she’s been abandoned. But when their long-awaited reunion finally arrives, the lieutenant isn’t alone—and he isn’t here for her. End scene. 

Directed by the Goya Award-winning Mario Gas, this stunning Madame Butterfly gets a cinematic twist as all the action takes place on a 1930s film set. Korean soprano Karah Son reprises her signature role as Puccini’s tragic heroine trying to find her way in a world dominated by men. Tenor Jonathan Tetelman is the callous Pinkerton, with Hyona Kim as Suzuki, Cio-Cio-San’s devoted maid who sees right past his gentlemanly facade, and Michael Sumuel as Sharpless, the sympathetic American consul. James Conlon, "the most accomplished music director currently working on the podium of an American opera house" (Opera News), opens the season conducting Puccini's poignant and unforgettable score.